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Orff - Carmina Burana
3 different interpretations
Jochum-Mata-Previn
by jadawin

[::Cover::]

Orff - Carmina Burana [Chor and Orchester der Deutschen Oper Berlin/Eugene Jochum]



Orff-Carmina Burana [ Mata and London Symphony Orchestra]



Orff: Carmina Burana [Wiener Philharmonikien - Previn]



[::Tracklist::]

1. Orff: Carmina Burana, Fortuna Imperatrix Mundi - 1. O Fortuna
2. Orff: Carmina Burana, Fortuna Imperatrix Mundi - 2. Fortune Plango Vulnera
3. Orff: Carmina Burana, Primo Vere - 3. Veris Leta Facies
4. Orff: Carmina Burana, Primo Vere - 4. Omnia Sol Temperat
5. Orff: Carmina Burana, Primo Vere - 5. Ecce Gratum
6. Orff: Carmina Burana, Auf Dem Anger - 6. Dance
7. Orff: Carmina Burana, Auf Dem Anger - 7. Floret Silva Nobilis
8. Orff: Carmina Burana, Auf Dem Anger - 8. Chramer, Gip Die Varwe Mir
9. Orff: Carmina Burana, Auf Dem Anger - 9. Swaz Hie Gat Umbe Chum,Chum, Geselle Min
10. Orff: Carmina Burana, Auf Dem Anger - 10. Were Diu Werit Alle Min
11. Orff: Carmina Burana, In Taberna - 11. Estuans Interius
12. Orff: Carmina Burana, In Taberna - 12. Olim Lacus Colueram
13. Orff: Carmina Burana, In Taberna - 13. Ego Sum Abbas
14. Orff: Carmina Burana, In Taverna - 14. In Taberna Quando Sumus
15. Orff: Carmina Burana, Cour D' Amours - 15. Amor Volat Undique
16. Orff: Carmina Burana, Cour D' Amours - 16. Dies, Nox Et Omnia
17. Orff: Carmina Burana, Cour D' Amours - 17. Stetit Puella
18. Orff: Carmina Burana, Cour D' Amours - 18. Circa Mea Pectora
19. Orff: Carmina Burana, Cour D' Amours - 19. Si Puer Cum Puellula
20. Orff: Carmina Burana, Cour D' Amours - 20. Veni, Veni, Venias
21. Orff: Carmina Burana, Cour D' Amours - 21. In Trutina
22. Orff: Carmina Burana, Cour D' Amours - 22. Tempus Est Iocundum
23. Orff: Carmina Burana, Cour D' Amours - 23. Dulcissime
24. Orff: Carmina Burana, Cour D' Amours - 24. Ave Formosissima
25. Orff: Carmina Burana, Fortuna Imperatrix Mundi - 25. O Fortuna

[::Recensione::]

Carmina Burana is a scenic cantata composed by Carl Orff between 1935 and 1936. It is based on 24 of the poems found in the medieval collection Carmina Burana. Its full Latin title is Carmina Burana: Cantiones profanae cantoribus et choris cantandae comitantibus instrumentis atque imaginibus magicis ("Songs of Beuern: Secular songs for singers and choruses to be sung together with instruments and magic images.") Carmina Burana is part of Trionfi, the musical triptych that also includes the cantata Catulli Carmina and Trionfo di Afrodite. The best-known movement is "O Fortuna" that opens and closes the piece.

Orff first encountered the text in John Addington Symonds's 1884 publication, Wine, Women, and Song, which included English translations of 46 poems from the collection. Michel Hofmann, a young law student and Latin and Greek enthusiast, assisted Orff in the selection and organization of 24 of these poems into a libretto, mostly in Latin verse, with a small amount of Middle High German and Old Provençal. The selection covers a wide range of secular topics, as familiar in the 13th century as they are in the 21st century: the fickleness of fortune and wealth, the ephemeral nature of life, the joy of the return of Spring, and the pleasures and perils of drinking, gluttony, gambling and lust.

Instrumentation

Carmina Burana is scored for 3 flutes (two doubling piccolo), 3 oboes (one doubling English horn), 3 clarinets in B? and A (one doubling E? clarinet, one doubling bass clarinet), 2 bassoons, contrabassoon, 4 horns in F, 3 trumpets in B? and C, 3 trombones, tuba, 2 pianos, celesta, a large percussion section and strings.
The percussion section consists of 8 timpani (one piccolo), 2 snare drums, bass drum, triangle, antique cymbals, crash cymbals, suspended cymbals, ratchet, castanets, sleigh bells, tam-tam, tambourine, tubular bells, 3 bells, 3 glockenspiels and xylophone.
The vocal parts include soprano solo, tenor solo, baritone solo, soli of 3 tenors, baritone, and 2 basses, a large mixed choir (soprano, alto, tenor, bass), a chamber choir (soprano, alto, tenor, bass) and a children's choir (ragazzi).
A reduced version for soloists, mixed choir, children's choir, 2 pianos and percussion was prepared by Orff's disciple Wilhelm Killmayer in 1956 and authorised by Orff himself, to afford smaller ensembles the opportunity of performing the piece.
An arrangement for wind ensemble was prepared by Juan Vicente Mas Quiles (b. 1921), who wanted to both to give wind bands a chance to perform the work and to facilitate performances in cities that have a high quality choral union and wind band but lack a symphony orchestra. A performance of this arrangement was recorded by the North Texas Wind Symphony under Eugene Corporon. In writing this transcription, Quiles maintained the original chorus, percussion, and piano parts.[1]
Structure

"The Wheel of Fortune" from the Codex Buranus
Carmina Burana is structured into five major sections, containing thirteen movements total. Orff indicates attacca markings between all the movements within each scene.
Fortuna Imperatrix Mundi ("Fortuna, Empress of the World")
Primo vere ("Spring") - includes the internal scene Uf dem Anger ("In the Meadow", "On the Lawn")
In Taberna ("In the Tavern")
Cour d'amours ("Court of Love")
Blanziflor et Helena ("Blanziflor (Blanchefleur) and Helena (Helen of Troy)")
Much of the compositional structure is based on the idea of the turning Fortuna Wheel. The drawing of the wheel found on the first page of the Burana Codex includes four phrases around the outside of the wheel:
"Regnabo (I shall reign), Regno (I reign/I am reigning), Regnavi (I have reigned), Sum sine regno (I am without a kingdom)".
Within each scene, and sometimes within a single movement, the wheel of fortune turns, joy turning to bitterness, and hope turning to grief. O Fortuna, the first poem in the Schmeller edition, completes this circle, forming a compositional frame for the work through being both the opening and closing movements.

[::Dati Tecnici::]
FLAC

[::Note::]
20 kbps fino a 5 completati

Messaggio modificato da Eyxe88 il Jul 5 2012, 11:09 AM

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